What's worse - being ignored or being attacked?

As a street painter, we learn quickly to adapt to changing conditions (weather, surface, materials, etc.).  We understand that those are things that make every experience different.  But there are other conditions that we deal with that have to do with human behavior.

Here is a link to a video interview with a local TV station about the damage a local group did to my chalk art at the Lake Worth Street Painting Festival in 2013.  The group, which I will not name, did not like the subject matter in the art, which was chosen by the state of Florida for the Viva Florida 500 poster. 

I was heckled, and then when I was done and took a break, they made noise, threw flyers around and then splattered the art with fake blood.  When the local deputy on duty was notified of this, they said the art was "worthless" and it was a public street, so nothing could be done. 

Really.  Worthless?  It was bad enough to have someone ignore the 2 1/2 days of work I voluntarily donated to the event, and the beauty of the art, but then to have the sheriff act as judge and jury and pass judgement, was heartbreaking.

Hopefully, we can educate the public about street painting as an art form.

The surface is always changing...

"What is the surface that I will be chalking on today?"  It seems like a fairly simple and minor question, but to a street painter, it is very important.  I have been chalking for years, and have completed many street paintings.  I enjoy the challenge that each new piece of art and each new surface presents.  It's part of what keeps it fresh and different.

Sometimes the surface is rough asphalt.  A common practice in Florida is to mix in pieces of shell, which makes it even harder to chalk on, since the chalk doesn't like to stick to shell or large chunks of rock.

This is a typical asphalt road in Florida with shells mixed in.

And sometimes it is just bumpy.  Sealing it (albeit temporarily) with a wash of tempera & water, helps the chalk stick.  It makes the colors brighter, also.

This was one of the roughest, bumpiest surfaces I have chalked on.  The picture was taken at the end of the day, and you can see how the low sun shows all the bumps in shadow.

Smooth concrete is nice to work on, but it to can present some challenges too.  It can have a sharp "tooth" to it, that can rip your fingers or gloves to shreds.  Usually, it is a better canvas because it is white or light gray, so you don't have to put down the tempera paint as a base.  Occasionally it can be too smooth, which the paint would then be needed.

And sometimes you end up with a line or crack right down the middle of your art.  The best thing to do with this is either make it part of the art, or try to fill it with chalk so it "disappears".

Bricks or paver bricks are a challenge because of all the cracks that have to be filled with chalk.  When I worked on the pavers in Curacao, I broke a lot of sticks of chalk, trying to get it to cover.  The other problem with pavers, is that many times they will be different colors.  This may be pleasing to look at, but it can be a bear to work on.  The bricks are fabricated of different substances and they all take the chalk a bit differently, so you have to constantly adjust the pressure and amount of chalk applied. One thing to remember is the more porous the surface, the more chalk you will use.

Here you can see how rough the pavers were in Curacao.

The other end of the spectrum is a super smooth surface, like a polished granite or marble.  Even unfinished granite can be very difficult to work on.  Chalk just does not like to stick to it, and the tempera base is almost imperative.  The large pavers in Ireland were granite (below), and we were glad that we had brought paint to prime the area first.

You can see the outline of the large squares of granite in this overhead shot.

And lastly, when you get bored, start chalking your body!

Mercedes and Carmen start experimenting on themselves in Naples, Florida.  I think the heat got to them.

How Did I Get Started Street Painting?

 This was my first attempt at street painting in 2005 at the Lake Worth Street Painting Festival.  

 I have a degree in Design from UCLA, and many years of painting and drawing experience, but this was something I was not familiar with.  The medium, soft pastels, and the huge scale, were totally new to me.

My older daughter, Mercedes, and I thought it would be fun to try.  We had been the to see the festival the previous two years, and kept saying to ourselves, "We could do that".  So we did!

Unfortunately, these pictures aren't very good.  For some reason the color is a bit off.  It wasn't large, I think we started with the smallest size (4' x 6').   We were hooked, especially me.  The next year we were put in the featured artists section on Lucerne Ave., away from the craziness on Lake Blvd., and have participated each year since.

Mercedes, age 15, hard at work.

Carmen, age 9, shows off her first street painting.

And Carmen, my younger daughter, wanted to join in so badly.  I set her up next to us on a blank area of asphalt, gave her some chalk, and let her go.  Little did I know how amazing an artist she would turn out to be.

Students Get Creative in Curacao at Third Annual Chalk Festival

The third annual "Colors of Willemstad" took place last weekend in Curacao.  I did three workshops with the teenagers both in Curacao and also in Bonaire (the next island over).  I wish I had more time with them, as they were very interested in how to do 3D paintings.

Craig Thomas and I quickly did this 3D apple to show the kids how to grid out and fill in the art.

The kids jumped in to draw their own picture and try their hand at creating a 3D apple.

Some of the kids at the workshop in Bonaire.

And my art, which I started on Friday.  The art was 5 meters by 6 meters.  I put down the tempera paint and then sketched out the art.

It was pretty dry during the week, so we didn't need to cover the art at night.  I chalked all day Saturday and Sunday, and got some help from my friend, Marieke.  Here is her work - very creative!

And this is my finished work - 5 meters x 6 meters - one of my largest.

Here is one of the student team's art - one of the three winners!  They were my students last year and they did a very detailed piece - great job!

This is another piece by one of the students from this year's workshop - also a winner!

Check out the new video: 

18th Annual Lake Worth Street Painting Festival

The forecast was not good.  Rain, wind, and thunderstorms.  Gloomy weather was with us all weekend, but we made it through.  It was windy all weekend, and we had a short period of showers from 9 - 10 am on Saturday morning.  We were all raring to go, and it was hard to stand around and wait.  Most of us had plastic to cover, and the rain was light enough that we were able to uncover and start working fairly quickly.

Plastic and folding chairs save the day.

End of day on Saturday.

My piece, an original composition of a three headed dragon coming up out of a hole in the ground, was my largest piece yet at this event (10' x 20').  It was also a first for a 3D piece for me at this event.  I usually do much more traditional work.

View from the opposite direction.

Carmen working on Sunday.

Carmen was able to participate this year, at the last minute.  She choose to do a Bouguereau on an area that was about 6' x 8'.  She didn't finish, but it was beautiful none the less, and was a big crowd pleaser.  

Cheryl and Wayne Renshaw brought a three headed dragon puppet, which looks like lunch in this photo.

I actually finished earlier than I thought I would.  I was worried I couldn't finish it by myself, but I was done by about 2pm on Sunday (total of 16 hours work).

The crowds were often lined up to take pictures and view the art from the "sweet spot".  I often heard comments from the crowd that this art would make an awesome tattoo and that I should be a tattoo artist.  Maybe someday - you never know.  If you had told me I would be chalking the streets at age 50 for a living when I was 20, I would have thought you were nuts.

Here is the video - Girl with the Dragon Tattoo (Art) by Craig Houdeshell: